When we visited Florence last December, we were astonished by the abundant riches of art available in museums and churches. Without a deep knowledge of art history, it was hard for us to truly appreciate what we were exposed to.
Nevertheless, a highlight for us was visiting a curated temporary exhibition, in the Palazzo Strozzi, focusing on the work of Fra Angelico (1395-1455) and his contemporaries. Given that Fra Angelico was a member of a religious order, the exhibition mainly focused on familiar religious themes.
In the courtyard of the Palazzo Strozzi, we were fascinated by a large art installation representing a modern reinterpretation of the Annunciation (the feature image for this post). The artwork, by an American artist known as KAWS, is entitled “The Message” (1974). It was placed there in dialogue with the Fra Angelico exhibition. It made us reflect on how artists view the world.
As a fun exercise, we decided to start looking for Annunciation scenes everywhere we went around the city, in paintings, sculptures, reliquaries, altarpieces and frescoes. Most of the examples we saw were from the late Middle Ages and early Renaissance.
Each time, we examined the depiction of the Archangel and Mary, their clothing, facial expressions and body language, the location of the event, the symbols added to the setting, the presence of other participants, etc. We saw interesting variations in how this very popular scene has been portrayed over time.
Continue reading “The Annunciation message”